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c. 1445 – May 17, 1510. Italian painter.

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LIPPI, Filippino
Disputation with Simon Magus and Crucifixion of Peter (detail) ghsh

ID: 07961

LIPPI, Filippino Disputation with Simon Magus and Crucifixion of Peter (detail) ghsh
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LIPPI, Filippino Disputation with Simon Magus and Crucifixion of Peter (detail) ghsh


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LIPPI, Filippino

Italian Early Renaissance Painter, ca.1457-1504 Son of Filippo Lippi. He was a painter of altarpieces, cassone panels and frescoes and also an exceptional draughtsman. His success lay in his ability to absorb, without slavishly following, the most popular trends in contemporary painting. He worked in Florence and Rome at a time when patrons were beginning to intermingle personal, religious, social and political ideals in their ambitions for palaces and chapels: with the support of wealthy and erudite patrons, such as Lorenzo de' Medici and Filippo Strozzi, he won important civic and private commissions.  Related Paintings of LIPPI, Filippino :. | St Paul Visits St Peter in Prison dh | Disputation with Simon Magus and Crucifixion of Peter sf | Apparition of The Virgin to St Bernard sg | Disputation with Simon Magus and Crucifixion of Peter (right view) sg | Crucifixion of Peter (detail) sg |
Related Artists:
Alexander Mark Rossi
fl.1870-1903,the British Victorian artist
aksel jorgensen
(1883-1957)
Ernest Laurent
(June 8, 1859 -- June 25, 1929) was a French painter and printmaker. He was born in Gentilly and died in Bievre. Laurent was a neo-impressionist artist whose main influences were his instructor Ernest Hebert and his friend Georges Seurat. Laurent took second prize in the Prix de Rome in 1889 and in 1890, Laurent arrived in Rome, where Hebert remained Director of the Academie de France. From Rome, he went to Assisi where he underwent a mystical experience. It would profoundly influence his art. The work he returned to Paris from Assisi was noted for its religious themes. Over time, profound religious devotion influenced his artistic motif and religious symbolism and scenery crept into his work. This aspect of his life ran counter to Seurat's materialism and the two parted ways.






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